These new releases arrive with a stellar 2160p/HDR transfer that are sure to please longtime fans of the series. Finally, Mad Max: Fury Road recycles the same 4K UHD disc that has been on the market for the past five years that still packs a wallop. The 4K UHD disc for Mad Max should be nearly identical to the Kino Lorber release from last year in terms of quality, except that release featured Dolby Vision while this new disc does not.
completely knocks the video portion of the set out of the park this time around with these new 4K UHD Blu-Rays. The previous releases were acceptable in their day to various degrees, but Warner Bros. The Road Warrior and Mad Max Beyond Thunderdome have been newly remastered from 4K scans of the original camera negative and serve as a significant step up from their previous Blu-Ray releases. Throw in Tina Turner playing a role to eleven, and you have a classic action film that stands comfortably with the other entries in the series.įirst things first, all four films in the Mad Max Anthology are included with a single 4K UHD disc for each film without any accompanying Blu-Rays. This is part of what makes the divisive segments with the feral children more palatable – it deepens Max as a character. One of the great things about Max is the way he always tries to shy away from the world to succumb to his grief, but he is needed in this world. This is a more considered film, showing what happens to Max when he no longer has gas to speed to where he wants to go and what might happen if society tried to reemerge from the ashes. Many fans of the franchise view this particular entry as lesser or too watered down compared to what we had gotten up until this point, but Miller is clearly crafting some of his most inventive moments when he enters the titular Thunderdome.
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The movie is still full of thrills, but it deepens what we know about the character of Max Rockatansky as well as the world he inhabits.
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The Road Warrior was a nice step from Mad Max, but Beyond Thunderdome was where this series needed to go next. If the Mad Max series continued to do the same thing with every entry, it would not have the staying power it does. When several of them take his appearance as a sign and go off into the desert, he follows them back to the town. There he becomes a gladiator and gets dumped in the desert where he is rescued by a band of feral orphans who have been looking for help for years. In the third of the “Mad Max” movies, Max (Mel Gibson) drifts into an evil town ruled by Turner. Action is a form of storytelling in his hands, and he captivates with each “word.” Cap this off with some outrageous villains and a Mel Gibson still in our good graces and you have something truly special in the action genre.
What sets Miller apart from other storytellers is his ability to paint a picture through visuals rather than expository dialogue. From virtually the moment you say go, the film rarely lets up in terms of its impressive action set pieces. The world is in decay, and those who have been strong enough to survive are not the most reserved types. Director George Miller proves once again why he should be considered one of the all-time greatest action directors, perfectly establishing this wasteland which has naturally evolved from the events of the first film. The film is gigantic, loud and ambitious, but it never sacrifices intelligence for something more superficial and fleeting. It is amusing to think that many American audience members sought out this film not knowing it was a sequel, but judging on its own it is easy to see why it became a worldwide success. While Mad Max was a momentous achievement on such a small budget, George Miller returns to this world eager to show off what he can do with more resources at his disposal. Falling into an encampment led by the relatively peaceful Pappagallo (Mike Preston), Max at first schemes to steal their oil, but soon becomes the group’s reluctant defender against the hulking Humungus (Kjell Nilsson) and his ruthless marauders. After avenging the death of his wife and young son at the hands of a vicious gang leader, Max (Mel Gibson) drives the post-apocalyptic highways of the Australian outback, fending off attacks from nomadic tribes that prey on outsiders.